Acoustica Mixcraft 7 User Manual

Browse online or download User Manual for Musical Instruments Acoustica Mixcraft 7. Acoustica Mixcraft 7 User Manual

  • Download
  • Add to my manuals
  • Print
  • Page
    / 381
  • Table of contents
  • TROUBLESHOOTING
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews

Summary of Contents

Page 2

46. If you don’t have Vista or an ASIO option enabled, select Wave. To reduce latency, decrease the Number Of Buffers and reduce the Buffer Size.

Page 3

94 Adjust By Adjusts notes durations by a percentage. Force To Note values are:  Whole notes  1/32 notes  1/2 notes  1/64 note

Page 4

95Before doubling:After doubling:PIANO, STEP, AND SCORE MIDI EDITORSThese editors allow precise creation and manipulation of MIDI note and controller

Page 5 - GETTING STARTED

96PIANO ROLL TOOL BARThis how the Tool Bar appears when the Piano Roll Editor is selected:There are three main editing tools on the Piano Roll Editor

Page 6

97 TAB and SHIFT+TAB select the next note and the previous note, respectively. Note: After selecting a note, if new notes are added, they will tak

Page 7

98SNAPThe Piano Roll has a dedicated Snap control, allowing editing and movement of notes to exact measure and beat positions. All piano roll note siz

Page 8

99Once you're satisfied with the loop, you can extend the clip in the Main Grid to loop it as many times as desired.CONTROLLER INFORMATIONMIDI con

Page 9 - INFORMATION

100If the clip contains controller information for a specific controller, the controller number appears in bold in the pop-up list. You can also click

Page 10 - Type Windows Version Notes

101Note that only the velocities of the selected Ab notes are being edited.PRECISE EDITING OF CONTROLLER INFORMATIONRight-clicking in the controller d

Page 11

102STEP EDITORMixcraft’s Step Editor is a grid-based editor that should be familiar to users of classic Japanese “X0X” drum machines, but it’s far mor

Page 12

103 Arrow Tool Notes can be selected by choosing the Arrow tool in the toolbar and clicking on them. Use this to delete notes, drag to new l

Page 14

104 Performance Panel set location. The exported region will be between the Loop Start and Loop End markers, so make sure these are in the desir

Page 15

105  Select Mode This limits note selections to a specific key signature, scale, or mode. If notes outside of the chosen key or scale are

Page 16

106  Add Voice This opens a keyboard and lets you add new voice(s) by clicking a key (or multiple keys) on the displayed keyboard.  Voi

Page 17

107For example, if you had a virtual instrument called Big And Dumb Drums with a sound called Mega Kick on MIDI note 54, you would add the following l

Page 18

108SCORE EDITORMixcraft allows editing, viewing, and printing in notation or sheet music form. Virtual Instrument Clips may also be viewed in the Scor

Page 19

109There are three main editing tools on the Score Editor toolbar:  Arrow Tool Used for note selection, moving, and editing note durations. It can

Page 20

110To remedy the situation, set the Tidy Note level to an 8th note or less.After changing the Tidy Note level, the note looks like a quarter-note.The

Page 23 - REGISTRATION

113MIDI BASICSMIDI is an acronym for Musical Instrument Digital Interface. It is a series of messages that keyboards and synthesizers use to play note

Page 25 - MIXCRAFT REFERENCE

114MIDI CONTROLLERSA controller is another type of MIDI message that controls other parameters. The most commonly used controllers are Modulation and

Page 28 - Audio Clips Loop Editor

117PROJECT TABThe Project tab is primarily used for information and notes about the project. All fields are can be clicked and filled in with any text.

Page 30

119RECORDING AUDIOThere are two main ways to hook up recording hardware to your computer. Analog Mixer With Sound Card The outputs of an analog mi

Page 31

120fader will turn red as shown in the picture above. If you’re using the ASIO audio driver, the track volume fader will disappear. This is normal, a

Page 32

121 the track is armed for recording. This is because ASIO recording drivers do not support input level adjustment in software. To set the proper

Page 33

122Once you have armed a track, you can record clips.1. Position the Caret for recording by clicking on the track.2. Click the Record button on the

Page 34 - Track Type Notes

123 and stopping each time. It’s generally used in conjunction with Loop Mode wherein a section is looped and each cycle records a new “take” (see

Page 35

7QUICK STARTWe know what you’re thinking … “I don’t wanna read this big ol’ manual now, I wanna rock!” (or thereabouts). Don’t worry, we’ve got ya cov

Page 36

124Be a Loop Mode Ninja!A faster way to set loop points is to drag a purple highlight area either in the Timeline or Main Clip Grid, then click the Lo

Page 39

127LOOP AND SOUND EFFECTS LIBRARYThe loop library contains a number of song kits and sound effects for royalty-free use within your own projects! Fee

Page 40 -  Scrolling Text

128The list beneath changes dependent upon the currently selected Sort By category. The large sound list to the right will display all sounds meeting

Page 41

129SORTING & COLUMNSSounds can be sorted by clicking on the column headers. To sort the column in descending order, click the column a second time

Page 42

130To resize the width of columns, move the mouse over the black separator lines. The cursor will turn into a left/right arrow; click and drag to res

Page 43

131IMPORTING FROM HARD DRIVE AND CDSSounds can be imported from a hard drive or loop CDs. To import sounds, click the +Import... button on the Librar

Page 44

132 Default Song Kit Select or type in a name for a song kit if the imported sounds are to be associated with a specific Song Kit. This can be ea

Page 45

133IMPORTING VIA DRAG AND DROPTo add a single audio file or folder, drag the files and/or folders into the Library window from Windows Explorer. After d

Page 46

8The Main Grid window should look something like this:Click the green play arrow button in the transport section to hear the bass clip play; click a s

Page 47

134 Default Song Kit Select or type in a name for a song kit if the imported sounds are to be associated with a specific Song Kit. This can be e

Page 48

135 Import To Choose or type in the library name to import to. To create a new library, type in a name. Default Song Kit Select or type in

Page 49

136LIBRARY FILE FORMAT (ADVANCED)User library files are stored in %programdata%\Acoustica\Mixcraft\UserLibrarySounds\ as .mldb files. Mixcraft reads al

Page 50 -  (-) Button

137MLDB FIELDSMLDB files contain a number of columns:Field Name Description Valid ValuesGenre This is the genre "Rock", "Jazz", etc

Page 51

138Acoustica Sound ID This is a special sound ID used internally for Mixcraft projects. It is a way of allowing projects saved on any computer to be

Page 54

141PERFORMANCE PANELMixcraft’s Performance Panel allows fast and fun creation of entire tracks using MIDI and audio clips. Though it can be “played” w

Page 55 -  Hide Automation Lane

142 To rename a set, double-click on the text, type a new name, and press return (or click outside of the text box area). Performance Panel Grid

Page 56

143 drums or sound effects with an external pad controller, for example), but since the Cue button affects all clips in the Performance Panel, it’

Page 57

9RECORDING AN AUDIO TRACKSelect a blank audio track in the Track List at the left side of the screen. Existing blank audio tracks will already be name

Page 58

144 Trigger Mode – This lets you customize how loops trigger when their play button is pressed.  Retrigger – Clip will repeat from its start

Page 59 - Delete Current Mapping

145  Toggle – This works like an on/off switch: press play to start a clip, and press again to stop it. Note that the Cue setting affects the

Page 60 - Effects

146USING THE PERFORMANCE PANELTo use to the Performance Panel, simply drag clips into individual grid locations. You can drag in loops from the Mixcra

Page 61 - Deleting Clips

147CONFIGURING THE LAUNCHPAD CONTROLLERThe Novation Launchpad doesn’t need any special drivers. Here’s how to get it up and running in a jiffy:1. Plu

Page 62 - Cropping and Trimming Clips

148 A – D Buttons – Though there are Launchpad’s main grid buttons “only” comprise an 8x8 grid, Mixcraft’s onscreen grid has no size/cell number

Page 65 - Selection Shortcuts

151AUDIO MIXERBy now you’ve probably used the channel volume and pan controls in the track list. Basic mixes can be created this way, but the Mixer wi

Page 66 - Adjusting Clip Automation

152CHECK ALL/CHECK NONECheck All/Check None lets you rapidly show or hide all mixer channels. Chekov, on the other hand, is that guy on Star Trek.SEND

Page 67

153Notes ButtonSolos the audio on the track and mutes other non-soloed tracks.Mutes the track's audio.Selects the channel input source for Audio

Page 68 - Editing A High Pass Filter

10Important Note: If you’re using an audio device with an ASIO driver (you can check in File>Preferences>Sound Device), the volume slider will d

Page 70 - Channel

155VIDEO EDITINGMixcraft includes powerful video editing features that let you: Add a musical soundtrack to a video. Add sound effects to a video.

Page 71 - Normalize

156VIDEO PREVIEW WINDOW This Video Preview window displays the video at the current playback position, including text and any currently active effect

Page 72

157 ADDING PHOTOS/IMAGESPhotos or images can be added by clicking Video>Add a Video File... in the Main Window menus. This opens a file dialog which

Page 73

158EDITINGThe amount of time a photo is displayed can be altered by moving the mouse to the left or right edge of the clip and dragging horizontally t

Page 74

159In Time mode: If in Beats mode:

Page 75 - SOUND TAB

160DURATIONSets the length of clips. Fitting To Audio Length If you have a lot of audio, such as a song or several songs, and you’d like the i

Page 76

161 VIDEO EFFECTSVideo effects can be added to alter a video’s appearance over time. You can fade in and out, add blur, transition to gray scale and m

Page 77

162VIDEO EFFECTS AUTOMATION DISPLAYAdding Mixcraft’s video effects is very similar to automating audio parameters. Multiple video effects lanes can be

Page 78 - No Pitch Adjustments

163SELECTING A VIDEO EFFECTTo choose an effect, click on the drop-down menu in the tracklist.VIDEO EFFECTS LISTLightness Lightness (High CPU) Grayscal

Page 79 - # Loops

11Here we go. click the red Record button in the transport (the one with the red dot), wait four clicks for recording to begin and record something! W

Page 80 - Noise Reduction

164Emboss XOR (Invert/Negative) Sepia Antique (Light) Antique (Heavy) Red Channel Strength Green Channel Strength Blue Channel Strength Red Filter Gre

Page 81 - Finding A Noise Sample

165FINE TUNING AND DELETING AUTOMATION POINTSEDIT EXACT VALUETo precisely set automation point values, right-click it and choose Edit Exact Value. The

Page 82 -  Format

166ADDING AND EDITING TEXTUse the Text feature to add titles, lyrics, captions, and more.To open the Edit Text window, click Video>Add Text… in the

Page 83

167THE TEXT OBJECTThe Text Object is the field within the red rectangle where text will be contained. To resize the Text Object, click and drag on the

Page 84 - Copy Selection To> Track

168OPACITY TABThe Opacity Tab changes the text and background colors, as well as the transparency level.  Text/Background Opacity Sliders Movin

Page 85

169  Orientation Choose whether the text justifies left, center, or right, and top, center, or bottom.  Margins Percentage setting for verti

Page 86 - How To Use Warp

170FADE TABText can be faded in and out over time using the Fade tab. Check the Fade In or Fade Out checkboxes, then set the desired fade duration. As

Page 87 -  Sensitivity

171EDITING TEXT CLIP SIZEResizing a Text Clip alters how long the text is displayed. To change the the size a text clip, click on the clip’s left or r

Page 88

172All editing functionality and tabs work the same as when editing static text, but because Scrolling Text inherently moves from the bottom to the to

Page 89

173RENDERING EDITED VIDEOSOnce the editing of a video is completed, it needs to be output to a single file for playback. Because videos typically conta

Page 90 - Use Project Key

12First, create a new virtual instrument track. Click the +Track button at the top left, and select Insert Virtual Instrument Track. Now click the tra

Page 91

174Dimensions The Dimensions drop-down menu allows selection of the most common standard definition and high-def (HD) sizes. The Set Custom Dimensions

Page 92

175FRAME RATEThe Frame Rate drop-down menu allows selection of the most common frame rates used in video, film, and TV. The Set Custom Frame Rate check

Page 93 - (MIDI) CLIPS

176WMV ADVANCED SETTINGS DIALOGFor more detailed control over WMV compression characteristics, select Specify Settings and click Settings... Now woul

Page 94

177Should I change the default frame rate?Probably not. Increasing the frame rate to one higher than any of the project’s video clips won’t improve fin

Page 95 -  All or Selection

178  Variable Bit Rate with Bit Rate Ceiling This two-pass method uses a variable bit rate, which means that it’s likely (but not guara

Page 96

179720x480 NTSC - Remember that big heavy thing with a glass screen that used to reside in your living room? Me neither. Before high-def, 720x480 was

Page 97 - All or Selection

180How can I create the smallest video files?Video dimensions and bit rate will usually impact file size the most, with smaller dimensions and lower bi

Page 100

183LOADING AND SAVING PROJECTSThe New Project Settings window is displayed when the Mixcraft program icon (or a shortcut) is double-clicked. It lets y

Page 101

13and MIDI keyboard are really far away from each other, choosing 1 bar should give you plenty of time to get those fingers poised. Hit OK when you’re

Page 102 -  Selecting Notes

184INSTRUMENT TRACKSDefines the number of virtual instrument tracks automatically created by Mixcraft. Either click the number and enter a number on th

Page 103

185LOAD AN EXISTING PROJECTMixcraft can load Mixcraft project files (mx7, mx6, mx5, mx4, or mx3) by clicking the File menu and choosing Open Project...

Page 104

186MIXING DOWN A PROJECT TO AN AUDIO FILETo save the project as an MP3, WAV, OGG or WMA file, use the File>Mix Down To Audio File command in the Mai

Page 105

187COPY PROJECT FILES TO...A project and all sounds, videos and/or recordings used within it can be easily saved to a single folder or zip file. This i

Page 107

189EXPLORING THE MAIN WINDOWThough much of this is covered in the Mixcraft Reference section at the beginning of the manual (see pg. 19), here we’ll g

Page 108

190MAIN WINDOW TOOLBARThe Main Window Toolbar contains button shortcuts for many frequently used functions and parameters. Here, we’ll go over its fun

Page 109

191UNDOCancels the last operation. The same as pressing CTRL+Z.REDORestores the last operation. The same as pressing CTRL+Y.ZOOM INWidens the horizont

Page 110 - CONFIGURING THE VOICE LIST

192REGISTERUse this to register your copy of Mixcraft.Note: The Register button disappears once Mixcraft has been properly registered. (See Registrati

Page 111

193To set the Snap level, click on the Snap Setting drop-down menu and a click a time division setting.  Snap Settings Off Grid Grid (Tr

Page 113 - VST GUID

14At this point, you could just click the X in the top-right corner and be off on your delayin’ way, but most likely you’ll want to change the default

Page 114 - SCORE TOOLBAR

194TIME MODE/BEATS MODEIn Time mode, all controls and the timeline display time in minutes:seconds:milliseconds format.In Beats mode, all controls and

Page 115

195Shortcut Key Function ControlLLoop ModeToggles loop mode for recording or playback.MMetronomeToggle the playback, recording, or count-in metronomes

Page 116 - CHANGING CLEFS

196PLAYBACK TIME READOUT/DISPLAYThis is the green readout that shows the current playback indicator time or measure and beat position. It also shows t

Page 117

197LOOP MODE & PUNCH IN/OUTMixcraft can be set to play or record in loop mode. Punch In/Out lets you record at a specific time section. These modes

Page 118

198Markers' Eect On Tempo, Key, and Time Signature!Keep in mind that using Markers to set tempo, key, and time signature always overrides any se

Page 121

201MIXING DOWN TO AUDIO AND VIDEO FILESProjects can be mixed down to any of the following audio file types:  MP3  WAV  WMA  OGGClick the Mix

Page 122

202  Edit Details... This opens a window where you can set the audio quality for MP3, WAV, and OGG format files. Higher quality settings wi

Page 123 - PROJECT TAB

203 such a thing, but suit yourself.)  Mix Down To Video Projects containing video can be mixed down to a new video file. Mixcraft suppo

Page 124

15This opens up the Acoustica Delay interface and lets you set its parameters to your liking. You can press the play button in the transport and hear

Page 126

205BURNING AUDIO CD’STo burn an audio CD, click the Burn CD icon on the toolbar, or select File>Burn CD... (CTRL+B) from the Main Window menus.Inse

Page 127

206  Convert To WAV First This converts the mix to one or more WAV files on your hard drive. CD- quality WAV files require around 8 MB for eve

Page 130 -  Punch In/Out

209MARKERSMarkers serve a variety of purposes. They can be used simply for adding notes such as “Chorus Here!” or “fix the guitar effects at mix time,”

Page 131

210If Snap is on, Marker placement will conform to the current Snap setting. (Remember this if the Marker doesn’t seem to be landing where you want it

Page 132

211  Create Track For CDs or Audio Files Creates track numbers if the project is to be burned to an audio CD using Mixcraft’s Burn Audio CD fun

Page 133 - EFFECTS LIBRARY

212INSERTING TIMERegions of time may be inserted into the project. This automatically repositions all markers, automation, and clips. This is useful,

Page 134

213 Select Edit>Delete Selected Time in the Main Window menus, or by right-clicking in the Timeline. Here’s the project after time deletion:All cli

Page 136

214  Automatically Create Track Markers: At Intervals Of This creates Markers at the specified intervals. Select the number of minutes betwe

Page 137

215  Remove and Trim Silence This automatically cuts out silences between audio content. It’s good for getting rid of long pauses in conti

Page 139

217EFFECTSMixcraft includes a large suite of real-time audio effects that can be applied to audio clips or virtual instruments. These are usually refe

Page 140 - Default Song Kit

218  Active/Inactive Checkbox Effects can be toggled on or off by clicking the green check mark to the left of the effect name. The check m

Page 141 -  Default Song Kit

219  Active Checkbox Exactly the same as the Active/Inactive checkbox in the Effect List window, just replicated in the effect interface

Page 142

220EFFECTS CHAINSA series of effects can be configured in the Effect List window by adding effects using the <Select An Effect> dialog.To rearran

Page 143

221The icons to the right of the Effects Chain drop-down menu perform the following operations:  Save A New Preset Saves the current Effects Chai

Page 144

222Master FX can also be edited by clicking the Main Mix FX button in the Mixer tab:... or by clicking the FX button in the Master Track in the track

Page 145

223Click the Add... button, navigate to the VST effect in Windows Explorer, and click OK. If you’re not sure where the new VST plug-in is, click the

Page 146

17REGISTRATIONFollowing installation, Mixcraft runs in trial mode for 14 days, so you’ll want to register as soon as possible for full functionality.

Page 148

225INCLUDED EFFECTSAll Mixcraft editions include the following effects:ACOUSTICA CHORUS Chorus is used to thicken up a sound, by adding tiny variation

Page 149

226Compressors reduce the difference in volume between quiet sounds and loud sounds in a recording. This effect is often used on vocals and drums, whe

Page 150

227Acoustica Distortion adds audio distortion similar to that used on electric guitars. This effect can range from subtle grit to extreme destruction

Page 151

228ACOUSTICA FLANGERFlangers delay the signal by a small amount while slowly varying the delay time, producing a swept comb-filter effect, commonly ref

Page 152

229Used to recreate the subtle echoes and reverberation of a natural room, reverb effects are some of the most useful in music. A single violin or pia

Page 153 - LAUNCHPAD BUTTONS

230CLASSIC CHORUSSimilar to the Acoustica Chorus effect, but with some additional features and a unique sound.CLASSIC COMPRESSORSimilar to the Acousti

Page 154

231Like the Acoustica Delay effect, this offers echo and delay effects, but goes much further with several outstanding features. Most exciting is Sync

Page 155

232CLASSIC MASTER LIMITERSimilar to the Acoustica Compressor in function, the Classic Master Limiter is intended to be used in the Master Effects bus

Page 156

233unique audio “fingerprint,” so it’s often good to have a few different types for different characters.VOXENGO AMP SIMULATORVoxengo Amp Simulator is

Page 158 - Notes Button

234VOXENGO SPECTRUM ANALYZER Voxengo Spectrum Analyzer is a supremely powerful tool for viewing the frequency spectrum of audio content. This is great

Page 159

235There's no easier way to EQ tracks! Instead of adjusting numeric parameters or spinning virtual knobs, EZQ lets you move a dot within a 2D pla

Page 160

236MIXCRAFT 7 ADDITIONAL PLUG-INSMixcraft 7 (Standard Edition) adds the following plug-ins:VOCALZAPVocalZap removes vocals and other center-panned con

Page 161 - VIDEO EDITING

237G-Sonique’s Pultronic Tube EQ is a detailed recreation of a classic vintage vacuum-tube based equalizer found in top studios throughout the world.

Page 162

238BROADCAST MULTIBAND COMPRESSORBroadcast Processor is a multiband compressor/limiter designed to impart maximum overall volume to a mix by breaking

Page 163

239GSnap is a state-of-the-art pitch correction plug-in that’s ideal for subtly (or not-so-subtly) tuning vocal performances in real-time (i.e. as the

Page 164

240Acoustica Pro Studio Reverb takes the lush, crystal-clear reverb used in our award-winning Pianissimo grand piano and expands it into a flexible, gr

Page 165 - If in Beats mode:

241FAT+ mixes all of the essential ingredients for truly huge sounds into one powerful plug-in, combining analog warmth, vacuum-tube distortion, and t

Page 166 -  Adjust Video Clip Lengths

242FSQ1964 TRANSIENT VITALISERThis powerful mastering tools adds sweet high frequencies, analog colors, crystal and transparent transients, and boldne

Page 167

243IZOTOPE MASTERING ESSENTIALSMastering Essentials delivers Izotope’s world-class mastering tools to Mixcraft with a gorgeous-sounding parametric EQ,

Page 168 - - BUTTON

19MIXCRAFT REFERENCEA visual guide to the individual sections of the Mixcraft 7 user interface.MAIN WINDOWThis is where you’ll spend most of your time

Page 169

244MID-SIDE ENVELOPE FOLLOWER+An envelope follower using the dynamics and amplitude of the incoming audio to modulate the cutoff frequency of a filter…

Page 170

245Mid-Side Harmonic Vitaliser+ is a stereo enhancer featuring a new technology for vitalizing, coloring, controlling, adjusting, and widening stereo

Page 171 - DELETE POINT

246TB GATEA good gate effect is critical for removing noise and mud from a mix. Gates remove hiss and noise from areas of a track containing no desira

Page 172

247TB PARAMETRIC EQUALIZERThe key to a good mix is proper EQ’ing, and this graphic parametric equalizer has a gorgeous interface, six color-coded band

Page 173 - THE TEXT OBJECT

248TIMEMACHINE BIT CRUSHERRecreate the sound of 8-bit video games, 12-bit samplers, or trash audio by turning it into 2-bit noise! TimeMachine simula

Page 174 -  Selecting a Text Color

249TWISTHEAD VS-206 PREAMP Adds subtle analog warmth or fierce overdriven tube grit to tracks. This vintage tube preamp adds 1960's charm and char

Page 175

250XBASS 4000L BASS ENHANCERXBass 4000L adds the warm, fat bass tone found in vintage tube circuits to your projects. XBass 4000L combines two unique

Page 176 -  Reveal

251DUBSHOX Multi-Band Distortion is a multi-band distortion and waveshaping unit with over 40 types of distortion and shapers, from analog, transistor

Page 177

252PSEQ-1 VACUUM TUBE PASSIVE EQThe PSEQ-1 Vacuum Tube Passive EQ faithfully replicates the sweet and warm “undoctored” tonality of passive EQ circuit

Page 178

253TrebleCream is a unique new master bus plug-in intended to minimize the effect of screaming or distorted mid-treble frequencies and transients resu

Page 179

20MAIN WINDOW TOOLBARContains button shortcuts for frequent Mixcraft functions and parameters.TRACK HEADERButton shortcuts atop the Track List allowin

Page 180 - Dimensions

254VTC-1 VACUUM TUBE COMPRESSORPentode Audio VTC-1 Vacuum Tube Compressor is an analog-modeled virtual VST compressor with a warm analog and transpare

Page 181 - WMV RENDER SETTINGS

255FUSION FIELDFusion Field is a smooth diffusion reverb that sits beautifully in a mix. Designed to imitate complex, natural spaces, it’s also very e

Page 182 - DIMENSIONS

256SIDEKICK6SideKick 6 Extended is the easiest, yet most comprehensive sidechain compressor available. Sidechaining lets you compress one sound with a

Page 185

259VIRTUAL INSTRUMENTSVirtual instruments are like having a keyboard instrument within Mixcraft. They can be played and recorded using a USB or MIDI k

Page 186

260 FAVORITES Frequently used and favorite Instrument Presets can be tagged by simply clicking on the star to the left of Instrument Preset. Once you’

Page 187

261REWIRE DEVICESThis section displays available ReWire applications. Selecting a ReWire application automatically creates a ReWire track for that app

Page 188

262EDITING VIRTUAL INSTRUMENT PRESETSCustom Virtual Instrument presets featuring multiple layered synthesizers, edited presets, custom key ranges and

Page 189 - PROJECTS

263After selecting an instrument, the following parameters can be set:ADDING EFFECTS TO INSTRUMENT PRESETSTo add effects to Instrument Presets, click

Page 190

21MAIN CLIP GRIDThis is the playback and recording area where audio, MIDI, and video clips can be created and moved.PLAYHEADWhen playback is stopped,

Page 191 - LOADING A STANDARD MIDI FILE

264Effects chain can be created with as many effects as desired.SETTING AN INSTRUMENT PRESET ICONTo add a custom icon to an Instrument Preset, click t

Page 192

265installed. Custom presets will be saved under %appdata%\Acoustica\Mixcraft\InstPresets\( %appdata% is a Window's shell variable that is expand

Page 193 - COPY TO A ZIP FILE

266VIRTUAL INSTRUMENT PRESET MANAGEMENTThough each Virtual Instrument will have a unique user interface, they share the same controls on the top of th

Page 194

267ADDING THIRD PARTY VIRTUAL INSTRUMENTSIf a VSTi instrument has been installed and it’s not visible in the Instrument List, you'll need to add

Page 195 - EXPLORING THE MAIN

268Click the Edit VST/VSTi Folders button and navigate to the folder containing the Virtual Instrument, and add the folder by clicking the Add… button

Page 198 - SNAP SETTING

271INCLUDED VIRTUAL INSTRUMENTSThe following virtual instruments are included with all versions of Mixcraft.ACOUSTICA INSTRUMENTSA huge library of car

Page 199 - Shortcut Key Value

272MESSIAHThis incredibly accurate recreation of the famous Sequential Circuits Prophet-5™ synthesizer takes the concept even further, with increased

Page 200 - Shortcut Key Function Control

273The Moog Minimoog™ is the most famous analog monophonic synthesizer in history. Invented by the late Dr. Robert Moog, this instrument took the inte

Page 201

22AUDIO AND MIDI CLIPSClips can contain either MIDI data or audio. Clip automation can edited as well.Tip: Zoom in and out by spinning your mouse whee

Page 202 - PROJECT TIME SIGNATURE

274MIXCRAFT 7 ADDITIONAL INSTRUMENTSMixcraft 7 (Standard Edition) adds the following instruments:ACOUSTICA EXPANDED INSTRUMENTSA rich addition to the

Page 203

275The Rhodes™ and Wurlitzer™ electric pianos defined much of the sound of the 1970s. Featured in songs like Billy Joel's “Just The Way You Are”,

Page 204

276COMBO ORGAN MODEL VA recreation of the classic Vox Continental™ transistor combo organ. Great for 60s rock, surf rock, and more! (Especially the f

Page 205

277Renegade combines the warm and organic sound of vintage analog synths with the sharpness, toughness, and precision of modern digital synths. With a

Page 206

278the ancient centuries to modern times, from Asia to Africa, and everything in between. Truly inspiring and totally unique!MIXCRAFT PRO STUDIO 7 ADD

Page 207 - AND VIDEO FILES

279MEMORYMOON ANALOG SYNTHESIZERNo synthesizer in history has ever sounded more massive than the legendary Moog Memorymoog, and Memorymoon perfectly c

Page 208

280High quality, award-winning grand piano featuring 250MB of Steinway Model D piano samples combined with powerful piano modeling technology.GLASS VI

Page 209 - Mix Down To Video

281Also new in Mixcraft Pro Studio 7 is ME80 Version 2, a fantastic update of the ME80 virtual analog polysynth. Now with 64- and 32-bit modes, a gorg

Page 211 - BURNING AUDIO CD’S

283ALPHA SAMPLERNew for Mixcraft 7 is Alpha Sampler, an easy-to-use basic sampler that’s fast and fun. It’s so easy, it almost doesn’t need any instru

Page 212 -  Burn All Or Selection

23ADDING/MOVING/SIZING/DELETINGDrag, right-click, or use key shortcuts to add, delete, move, and duplicate tracks.MOVING TRACKSTracks can be moved by

Page 213

284SAMPLE DISPLAY WINDOW Load Sound. Opens the dialog box letting you select a sample to load into Alpha Sampler. Since Alpha Sampler can only have o

Page 214

285Fine Tune. Allows adjustment of the sample’s pitch + or - 100 cents. You can quickly restore the Fine Tune control to zero by double-clicking the k

Page 215

286Mod Wheel. Consists of a low-frequency oscillator (LFO) capable of controlling Alpha Sampler’s pitch or filter cutoff frequency, resulting in vibrat

Page 216

287Lo-Fi. Processes Alpha Sampler’s output down to an 8 kHz sample rate and eight-bit word depth for a crunchy, aggressive sound similar to classic vi

Page 218

289OMNI SAMPLEROmni Sampler expands Alpha Sampler simple drag-and-drop concept to a familiar 16-pad drum machine grid sampler with easily switchable “

Page 219

290If you’d like to play the same sample on separate pads, simply re-load the sample at a different pad location. Be aware that Mixcraft 7 automatical

Page 220

291PERFORMANCE CONTROLSOmni Sampler’s performance controls include Pitch, Filter, Envelope, and Output settings and are set separately for each pad in

Page 221 - CD Track Markers

292Resonance. Emphasizes frequencies close to the cutoff frequency. The higher the setting of the Resonance knob, the greater the emphasis, resulting

Page 222

293GLOBALThe Global button makes the Performance Controls (Pitch, Filter, Envelope, Output, Loop, Reverse, and Lo-Fi) affect all currently loaded soun

Page 223

iiiTABLE OF CONTENTSMixcra Home Studio 7 Limitations ...1Important Sound Setup Information ...

Page 224 -  Edit

24FREEZE TRACKIf your computer is slow or you’re hearing gapping or stuttering as a result of many effects or time stretching, tracks can be frozen to

Page 225

294Triangle/Square Wave Switch. Toggle between triangle and square LFO waves. The triangle waveform cycles up and down in a smooth and uniform fashion

Page 226

295Renaming a sample pad To rename a sample pad, right-click and choose Rename. The current name will be highlighted; type a new name and hit the retu

Page 228

297PLUG-IN MANAGEMENTMixcraft lets you enable and disable virtual instruments and plug-ins, as well group and sort plug-ins when loading using Collect

Page 229

298To create a new collection, click the + sign button, then type a name for the collection and hit return. Now select a category above, and drag the

Page 232 - ACOUSTICA DISTORTION

301USING NATIVELY SUPPORTED HARDWARE CONTROLLERS Mixcraft 7 features native support for the Mackie Control Universal (formerly known as “Logic Control

Page 233 - ACOUSTICA EQ

302 If the device is USB, select it in the Input and Output columns to the right. If the device is MIDI, select the name of the MIDI interface in th

Page 234 - ACOUSTICA REVERB

303MACKIE CONTROL DISPLAYThe Mackie Control display shows the following information for each of the current tracks: Track panning percentage, left o

Page 235 - CLASSIC AUTO-FILTER

25The Choose A Track Image window will open:1. Select a new image and click OK.2. Add Your Own Image Or Photo3. Custom images can be added as well.

Page 236 - CLASSIC CHORUS

304OVERWRITE AND TOUCH FADER AUTOMATION MODESWhen used in conjunction with a Mackie Control Universal, automation data can be written in real time by

Page 237 - CLASSIC FLANGER

305Record transport control initiates recordingJog wheel moves playhead forward or back by snap valueJog wheel+Shift button adjusts volume of currentl

Page 238 - CLASSIC REVERB

306CONFIGURING THE MIXCRAFT REMOTE MOBILE APPMixcraft Remote is a free mobile app for iOS and Android that lets you control the transport and other fu

Page 239 - VOXENGO AMP SIMULATOR

307Fast-forward transport control moves playhead forward by 4x snap valueFast-forward to end transport controlmoves playhead to end of projectUndo can

Page 241 - GTUNE GUITAR TUNER

309USING GENERIC MIDI CONTROLLERS AND CONTROL SURFACESA MIDI keyboard or other MIDI device with knobs, sliders, or buttons can be set up to control Mi

Page 242 - PULTRONIC TUBE EQ

310 Click on the command to learn. Command categories can be chosen using the Category menu on the left side. Move the knob, button, slider or pus

Page 243 - SHRED AMP SIMULATOR

311SAVING AND LOADING CONTROL SURFACES ASSIGNMENTSControl surfaces assignments can be saved and loaded if you have multiple keyboards or want to reuse

Page 244 - GSNAP PITCH CORRECTION

312 Solo/Unsolo Selected Track  Arm/Disarm Selected Track  Monitoring For Selected Track Toggle  Guitar Tuner For Selected Track Toggle  EQ

Page 246 - DUBMASTER LIQUID DELAY

26Track colors can be individually set by selecting Track>Properties>Track Color in the main window drop-down menus or by right-clicking a track

Page 248 - FSQ1964 TRANSIENT VITALISER

315MUSICAL TYPING KEYBOARD (MTK) If you do not have a MIDI keyboard attached to your computer, you can use your computer's standard QWERTY keyboa

Page 249 - IZOTOPE MASTERING ESSENTIALS

316Need More Keys, Please!Musical Typing functionality will depend upon your computer's keyboard. Many computer keyboards do not allow more than

Page 252

319PREFERENCESPreferences are options that are changed infrequently and allow you to customize how the software behaves. To open the Preferences, sele

Page 253 - TB PARAMETRIC EQUALIZER

320It’s All About The DriversAlways make sure that you’ve downloaded the latest audio drivers for your sound device or audio system. Not only are aud

Page 254 - TIMEMACHINE BIT CRUSHER

321device and will need to be restarted after Mixcraft is either shut down or out of Exclusive Mode.ASIO-SPECIFIC PREFERENCESThese are the preference

Page 255 - TWISTHEAD VS-206 PREAMP

322  Bit Depth This is the number of bits per sample. 16-bit is the default for CD quality. Mixcraft supports bit depths up to 24-bit for u

Page 256 - DUBSHOX MULTI-BAND DISTORTION

323editor.DISPLAYDRAW AUDIO AND MIDI DATA ON CLIPSDetermines whether or not the audio and MIDI data is displayed on the clips. Turning this off could

Page 257 - POD4500 PARTICLE DELAY

27NOTE ON ARMED TRACKSWhen using Core Audio/Wave RT or Wave audio drivers, if an audio track is armed for recording (Arm button will be red), the volu

Page 258 - TREBLECREAM

324Places the Playhead at the click location. Also restarts playback from this location if the project is playing back.AUTO-REWIND TO START POSITION W

Page 259

325These settings affect how the mouse wheel controls zooming and scrolling. Choose combinations to custom configure the mouse wheel behavior.The defau

Page 260 - ZENER LIMITER LM-2Z

326DELETE UNUSED RECORDINGS DURING SAVE OR ON EXITIf this option is checked, Mixcraft delete any recordings made that are not currently on any tracks

Page 261 - FUSION FIELD

327MIDISet MIDI preferences here.DEFAULT MIDI INPUT DEVICEIf you have MIDI interfaces or MIDI keyboards, choose the interface that you'd like to

Page 262 - STUDIO DEVIL VIRTUAL BASS AMP

328CONTROL SURFACESAs of the initial release of Mixcraft 7, natively supported Control Surfaces include the Novation Launchpad, Mackie Control (aka MC

Page 263

329UP/DOWN ARROWSIf you’re using more than one of the same fader controller, these let you move devices up and down in the list. This effectively lets

Page 264

330PLUG-INSLOAD VST EFFECTS AND INSTRUMENTS (VST/VSTI)Mixcraft will load VST effects and virtual instruments upon launch when this box is checked.EDIT

Page 267 - EXTERNAL DEVICES

333MAIN WINDOW MENUSFILE MENUNEW PROJECT (CTRL+N)Creates a new project and shows the New Project Settings dialog.OPEN PROJECT... (CTRL+O)Opens or load

Page 268

28CARETThe Caret is a line and two triangles indicating the precise point on the Main Clip Grid where edits happen, and where playback or recording be

Page 269 - Parameter Description

334RECENT PROJECTSDisplays the ten most recently loaded or saved projects for quick access. To load a recent project, click on it. EXITThis closes Mix

Page 270

335MERGE TO NEW CLIPS (CTRL+W)This merges the selected clips into a new clip. This functions on a per-track basis and does not combine clips from diff

Page 271

336SET MASTER VOLUMESets the master volume to an exact amount or from 20% to 200%.MIDI RESET!Sends a panic message to all virtual synthesizers and ext

Page 272 - Button Description

337  Touch Mode When used with a control surface with touch-sensitive faders Touch Mode overwrites automation data only when the fader is b

Page 273

338  Track Height Opens a submenu for setting the selected track height to Small, Normal, or Large.  Choose Image... Opens the Track Imag

Page 274

339MIX TO NEW AUDIO TRACKMixes the selected track to a new audio track with current effects applied. The original track is retained and muted after th

Page 275

340  Normalize (CTRL+K) This sets the volume of all selected sounds to the normalized level. Normalized level is based on the highest peak in the

Page 276

341Linked clips will have the button in the title bar. Click the button to unlink clips. SPLIT (CTRL+T)This splits selected clips at the current Care

Page 277 - INSTRUMENTS

342SET NON-CLIP BACKGROUND COLOR...Sets the color of the background if no video or image clips are present.SHOW/HIDE VIDEO WINDOWShows or hides the vi

Page 278 - MINIMOGUEVA

343ZOOM OUT (-)Zooms out for a wider view. ZOOM TO PROJECT (0)Fits the entire project to the screen.HELP MENUHELP FILE...Opens the Help File. CHECK FO

Page 279 - VB3 ORGAN

29Audio tracks contain audio clips. Audio clips can be recorded by the user or loaded from pre-existing libraries.LOADING AUDIO FILESTo load an audio

Page 281 - COMBO ORGAN MODEL F

345KEYBOARD SHORTCUTSNAVIGATION, PLAYBACK, AND RECORDINGFunction Keyboard ShortcutPlay / Stop [SPACE]Play From Next Marker CTRL+[SPACE]Play From Previ

Page 282 - RENEGADE

346Moving the Caret If snap is on, the caret will move at the current snap setting.CTRL + arrow keys moves the caret +/- 20 milliseconds. CTRL + SHIFT

Page 283 - JOURNEYS

347SNAP ADJUSTMENTS Function Keyboard ShortcutOff ~Measure 11/2 Notes 21/4 Notes 31/8 Notes 41/16 Notes 51/32 Notes 61/64 Notes 7MIDI EDITINGFunction

Page 284

348SELECTING CLIPSFunction Keyboard ShortcutSelect All CTRL+ASelect All On Track CTRL+SHIFT+ASelect All On Lane CTRL+SHIFT+ALT+ASelect Next Clip [TAB]

Page 285 - MEMORYMOON ANALOG SYNTHESIZER

349ZOOMING AND SCROLLINGFunction Keyboard ShortcutZoom To Project 0Zoom In -Zoom Out +Scroll Up/Down Mouse WheelScroll Horizontal SHIFT+Mouse WheelScr

Page 286 - ME80 VERSION 2

350Function Keyboard ShortcutBoost Clip 5% ALT+CTRL+WReduce Clip 5% ALT+CTRL+SBoost Clip 25% ALT+CTRL+EReduce Clip 25% ALT+CTRL+DBoost Clip 50% ALT+CT

Page 289 - ALPHA SAMPLER

353CURSORSARROWThe default cursor. ENVELOPE POINT EDITThis cursor shows that an envelope point can be added or moved. ERASERThis cursor shows that not

Page 290

30GUITAR TUNEREach audio track features a built-in tuner. Though we refer to it as a “guitar tuner,” it will work with any monophonic instrument signa

Page 291

354 PENCILThis cursor shows that new notes or controller data can be drawn. PLAY SOUNDThis cursor shows that a sound from the sound library can be pl

Page 292

355SHARP TOOLThis cursor is used to raise a note or piano roll bar by one half step/semitone in Notation View. Always excercise caution when using a s

Page 294

357TROUBLESHOOTINGHere are some answers to common problems and issues. If you can't find a solution in this section, you'll find numerous supp

Page 295 - OMNI SAMPLER

358 Another program may be using the sound card at the same time. (May happen with older versions of Windows.)  Update or install your sound card&

Page 296

359SOUND IS DELAYED OR LAGGING (LATENCY)The opposite of sound breaking up or gapping is an audible delay of sound playback and/or latency from the tim

Page 297

360SOUND PLAYS BACK TO SLOW OR FASTIf loaded sounds play back too fast or too slow, it's most likely because the sound is being tempo adjusted by

Page 298 -  Lo-Fi

361If you have a Soundblaster LIVE, try recording in 48 kHz mode, by switching your Sound Device preferences to the 48 kHz sample rate.  Drift Wor

Page 299

362NEW TRACKS ARE RECORDING SOUND FROM OTHER TRACKS (BLEEDING OVER)If newly recorded tracks are picking up parts of other tracks, your microphone or i

Page 300 -  S (Solo) Button

363If you're using an ASIO device or other external audio device, you won’t see an input level slider on armed tracks (this inherent to ASIO audi

Page 301

31When activated, the layout shows the “mini music keyboard,” octave, transpose, velocity, and other relevant parameters. ARMING A MIDI TRACK FOR REC

Page 302

364VIDEO IS NOT LOADINGIf the video fails to load, it’s likely because you’re missing the correct DirectX video codec. Do one of the following:Install

Page 303 - PLUG-IN MANAGEMENT

365Open or double-click the file, add the name of the effect, and set it to equal = 1. For example, if you had an effect you didn't want to load

Page 304

366CD Burning Engine DetailsPrimo The default and preferred burning engine. Burns on-the-fly, CD-Text, and supports gapless tracks.IMAPI The drawback

Page 305

367 Mix the project down to WAV files and then use a third-party burning program that supports the CD- or DVD-burner. In the Mix Down dialog, make su

Page 306

368If one of the above is happening, it could be the DirectX video decoder. The best solution is to convert the video file to AVI or WMV format. AVI an

Page 307 - CONTROLLERS

369 Verify that security software or an Internet firewall isn’t blocking Mixcraft’s access to the Internet. It may be necessary to reconfigure firewall

Page 308 - MCU Control Function

370ASIOASIO provides an interface between the audio application and sound card. It’s an acronym for Audio Stream Input/Output. It was developed by Ste

Page 309 -  Track number

371DAODAO stands for Disc-At-Once. During the CD burning process, the entire CD is written continuously without the write laser being turned off. This

Page 310 - Tranzport Control Function

372MegabyteA megabyte is approximately one million bytes ( 1024 X 1024 bytes ). A typical hard drive stores around 40 GB (gigabytes). A gigabyte is

Page 311 -  Fader volume level

373PCMPulse-code modulation (PCM) is a digital representation of an analog signal where the magnitude of the signal is sampled regularly at uniform in

Page 312

32Alternatively, you could split one MIDI keyboard into two sections, sending the first section or range of notes to MIDI channel 1 and the second rang

Page 313

374Time StretchTime stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Virtual Instrument Cli

Page 315 - CONTROL SURFACES

33Checking the Automatically add all instrument output tracks for Virtual Instruments box at the bottom will always enable all available individual ou

Page 316 - Fields Description

ivIncluded Virtual Instruments ...271Alpha Sampler ... 283Omni Sampl

Page 317 - SELECTED TRACK CONTROLS

34To toggle viewing of the video playback window, click the Show/Hide Video Window button. A video preview window will open, and the Show/Hide Video W

Page 318

35A project has one Master Track. Think of this as the stereo master output the entire mix gets routed through. Volume, panning, and effects can be ad

Page 319

36ROUTING AUDIO TO A SEND TRACKAdd a Send Track to the project by clicking the +Track button and selecting Add Send Track. You can also click Track>

Page 320

37Once the Send Track is selected, a knob appears. This sets the amount of signal sent to the Send Track.The send level can be set by clicking and dra

Page 321 - MUSICAL TYPING KEYBOARD

38AUDIO SIGNAL FLOWTo reiterate, the send volume type determines whether audio from the track is routed to the Send Track before or after the track fa

Page 322

39SUBMIX TRACKA SubMix track routes audio to an intermediate track before the Main Mix master volume. This is very useful as a master volume control f

Page 323

40Volume, panning, solo, mute, insert effects, and automation remain independently adjustable for SubMix child tracks. Tracks may also be dragged and

Page 324

41CREATE HEADPHONE CUE OR MONITOR MIXESWhen recording or performing live, each musician will likely need their own custom monitor mix. The keyboard pl

Page 325 - PREFERENCES

42REWIREReWire is an audio and MIDI protocol developed by Propellerhead Software allowing Mixcraft to access sounds, virtual instruments, and feature

Page 326

43Once a ReWire track has been created, all transport controls, including play, rewind, and stop, as well as tempo changes and loop points, will be se

Page 327

vGETTING STARTEDWelcome to Mixcraft 7, a powerful recording DAW software offering the tools and performance power to create professional music and vid

Page 328 -  Open Mixer

44TRACK LIST AUTOMATION CONTROLSToggle Automation This displays and hides automation lanes for individual tracks. If a track has no prior automation,

Page 329

45 Lock Button This synchronizes the movements of lane automation with onscreen displays of channel volume and pan, as well as submix, send, out

Page 330 -  Caret

46SELECTING PARAMETERS FOR AUTOMATIONTo select a parameter for automation, click a track’s Automation Parameter drop-down lane in the track list – by

Page 331

47Dragging an automation point over other automation points will cause them to be “overrun” and deleted upon mouse release.FINE TUNING AND DELETING AU

Page 332

48Automation data may be freely copied between tracks, and even to different parameter lanes. You can also copy multiple automation lanes or automatio

Page 333

49 Reduce Lowers the value of automation data in the currently selected lane by 5%, 10%, 25%, or 50%. Clear All Automation Deletes all automa

Page 334

50Remember to hit the Stop button when you’re done, and be careful not to enable Loop Mode, otherwise the movements you record may be instantly overwr

Page 335

51MAPPING A HARDWARE CONTROL TO A PLUG-IN EFFECT PARAMETERIn this example we’ll assume that an effect has already been inserted into the channel.1. C

Page 336

524. Click the MIDI Learn button. If a knob or fader is being assigned, move it back and forth. If a button is being assigned, press it. You’ll be

Page 337

53Instrument user interface. You can see the Edit button in the screenshot below, to the right of the instrument name.Super Helpful Tip: If a Virtual

Page 339 - MAIN WINDOW MENUS

54To save current mapping assignments, click the Save or Save As buttons. (You may want to create a directory for these.) MIDI Mapping window assignme

Page 340

55LANE MIDI CHANNEL ASSIGNMENTSeparate MIDI channels can be assigned to individual lanes when using Virtual Instruments. This is particularly useful w

Page 341 -  Unlink Selected Clips

56 Deleting Parts Of Clips If only a part of a clip is selected, only the selected part gets deleted selected. For example, if you’ve recorded

Page 342

57 value to Off. Crop From A Selection A specific region can be cropped by making a selection over a clip, or a group of clips, and selecting E

Page 343

58MERGETo merge two or more audio or virtual instrument clips on the same track, select the clips and then click Sound>Merge To New Clip in the Mai

Page 344

59 Selecting An Individual Clip or Multiple Clips To select an individual clip, click on its title bar. The clip will have a white outline when

Page 345 -  Phase

60CLIP-BASED AUTOMATIONEach audio clip has its own independent automation line for the following parameters:  Volume  Low Pass Resonance  Pa

Page 346

61 Keyboard Modifiers  Add Points: Hold the CTRL key down and click to add points anywhere on the sound.  Move Line: Hold the SHIFT key do

Page 347

62involves emphasizing frequencies at the filter’s cutoff point. So, if we imagine a filter with a cutoff frequency of 2000 Hz and a high resonance valu

Page 348 -  Unlink Selected Clips`

63AUDIO CLIPSAn audio clip is a clip containing an audio recording. Audio clips always display a waveform in their lower section.Existing audio can be

Page 349

1MIXCRAFT HOME STUDIO 7 LIMITATIONSMixcraft is available in three different versions: Mixcraft Home Studio 7, Mixcraft 7, and Mixcraft Pro Studio 7.

Page 350

64These operations make it easier for Mixcraft to automatically match up timing and key signature in a project… in other words, they’ll make making mu

Page 351 - KEYBOARD SHORTCUTS

65 Normalize Normalizing a sound locates its loudest peak, raises it up to “full scale” (i.e. loudest level before clipping), and proportionate

Page 352 - Function Keyboard Shortcut

66a sound and choose Edit In External Editor... or choose Sound>Edit In External Editor... from the menus in the Main Window. You’ll have the o

Page 353

67FlexAudio™ works on audio and MIDI clips. For finer control of clip lengths, set the Snap value to Off.

Page 355

69SOUND TABClick the Sound tab at the bottom left of the screen to edit and set parameters for audio, MIDI, and video clips with greater precision. Th

Page 356

70 Lock/Unlock Clicking the Lock icon will prevent changes to the clip’s Loop Start, Loop End, and Snap Point. Lock also prevent clips from bein

Page 357

71 Time Stretch In this mode, the sound is simply time stretched by a fixed amount. The sound will not adjust to the project tempo. You’ll most

Page 358

72 Mixcraft adjusts the pitch by the shortest distance between two keys. For example, if the project key was G and the sound’s key was F, it will

Page 359

73 Offset The offset setting defines a clip’s location in the Main Clip Grid. Length The length setting defines the size of the clip. If the len

Page 361 - SHARP TOOL

74SOUND TAB – AUDIO SUB TABHere you’ll find some useful extra parameters. Channels If the audio clip is stereo, the pop-up menu selects regular ste

Page 362

75 The above image shows an example of a good noise sample. The noise is determined by the audio section between the Noise Start and Noise End con

Page 363 - TROUBLESHOOTING

76 Formant Preserve The Formant Preserve checkbox allows Mixcraft to maintain the harmonic “imprint” of a sound when transposing pitch up or

Page 364 - Driver Type Action

77 Snap Point Marker A red vertical line defining the position a clip snaps to in the Main Clip Grid. Set the Snap Point Marker by clicking and

Page 365 - ASIO IS NOT AVAILABLE

78 The Copy Selection To command exports the currently highlighted audio wave region to one of the following:  Copy Selection To> Performance

Page 366 - RECORDING IS NOT WORKING!

79  Slice To… The Slice To… button cuts up audio regions and exports the “slices” to the Performance Panel, Omni Sampler, or directly to a M

Page 367 - RECORDINGS ARE NOT IN SYNC

80  Omni Sampler exports slices to individual Omni Sampler cells. If the pop-up menu to the right is set to New, Mixcraft creates a new track

Page 368

81 3. Once Warp Markers are in place, they can be freely moved left and right to squeeze and stretch audio in time. It’s easiest to hear the eff

Page 369 - WMA FILE SUPPORT

82  Strength Regulates how close hits will be moved in time toward the quantize values. 0% won’t move transients at all, whereas 100% woul

Page 370 - VIDEO IS NOT LOADING

83 Mute /Unmute This silences the clip. All instances of the clip will turn gray. The Mute Sound button in the Sound tab is interchangeable wit

Page 371

3IMPORTANT SOUND SETUP INFORMATIONWhen Mixcraft is first launched, it’s important to ensure that the audio latency is set optimally. Ideally, using a v

Page 372 - I’M GETTING BURN FAILURES

84  Use Project Key Mixcraft adjusts the pitch of the sound based on the difference between the project’s key and the sound’s key. (The project

Page 373 - VIDEO PLAYBACK PROBLEMS

85 Length The length setting defines the size of the clip. If the length value setting is longer than the entire audio clip, the clip will repea

Page 375 - CAN I ADD MY OWN SOUNDS?

87VIRTUAL INSTRUMENT (MIDI) CLIPSA Virtual Instrument Clip is made up of MIDI data and instructs a synthesizer to play notes (as well as how to play

Page 376 - GLOSSARY

88 Velocities Adjusts how hard notes are played (usually affecting volume or brightness). Offsets Adjusts note start times. Durations Adju

Page 377

89  If the Note Ends box is checked, then the end times of each note will be quantized to this note type. Start Time Click the checkbox ne

Page 378

90HUMANIZEHumanizing is the process of adding a random and more “humanized” feel. When entering MIDI data via the mouse and using snap, music can soun

Page 379

91 Note Velocities Allows randomization of note velocities with following options:  Randomize by – A percentage of the original note value. 

Page 380

92VELOCITIESThe Velocities dialog allows adjustment of all or selected note velocities. A MIDI velocity indicates how hard the note has been struck. T

Page 381

93Right-click a MIDI clip or MIDI data in the Piano editor and select MIDI Editing>Offsets… Offset Direction Choose left or right. Offset Amo

Comments to this Manuals

No comments